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Culture
Why Philly Loves the Eagles’ Big Nick Foles, the N.F.L.’s Best Backup |
The Precarious Spectacle of the Girl Boss in “Lindsay Lohan’s Beach Club” |
My Food Dehydrator and Me: A Dysfunctional Love Story |
Used Clothing Floods Beacon’s Closet, Courtesy of Netflix’s “Tidying Up with Marie Kondo” |
In “The Haunting of Lin-Manuel Miranda,” Ishmael Reed Revives an Old Debate |
“Surviving R. Kelly” Reframes R. Kelly and the Songs We Once Loved |
The Screening Room: “Lifeboat” |
Three Excellent Podcasts to Start the New Year |
Ellen DeGeneres and the Trap of Trying to Be “Relatable” |
“True Detective,” Reviewed: Clever Chronology Tries to Conceal an Unclever Cop Show |
“Pig,” Reviewed: An Iranian Comedy About Filmmakers Who Become the Targets of Murder |
The 2019 Golden Globes Recap: A Thankful Sandra Oh and a Mighty Glenn Close |
Cuco’s “CR-V,” The Best (and Perhaps the Only) Tribute Song to the Honda S.U.V. |
