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Culture
The Need for Art That Hurts |
The F.B.I. Interrogation of Reality Leigh Winner Becomes the Verbatim Script of a Play |
“Cane River,” Reviewed: Horace B. Jenkins’s Lost Film About Romance Amid the Burdens of Black American History |
Becoming Francine du Plessix Gray |
The Pure American Banality of Donald Trump’s White House Fast-Food Buffet |
“Valley of the Boom,” Reviewed: A Rah-Rah Reënactment of the Dot-Com Cataclysm |
Pascal Campion’s “Big City” |
How the Garage Became America’s Favorite Room |
“Jobe’z World,” Reviewed: A New Film Showcases a Secret Weapon of Independent Cinema, the Actor Theodore Bouloukos |
“The Big One” Podcast: Anticipating a Devastating L.A. Earthquake |
Review: The Toothless Satire of “I’m Sorry” and “Friends from College” |
Lee Friedlander’s Intimate Portraits of His Wife, Through Forty Years of Marriage |
Why Philly Loves the Eagles’ Big Nick Foles, the N.F.L.’s Best Backup |
