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Culture
Heisman Trophy Favorite Is a Believer
Owen Smith’s “Alexei Navalny”
The Press-on-Nail Renaissance
“The Apprentice,” Reviewed: The Immoral Makings of Donald Trump
Taylor Lorenz’s Plan to Dance on Legacy Media’s Grave
“The Outrun,” Reviewed: A Disappointingly Constrained Showcase for Saoirse Ronan
A Public Defender’s Radical Approach to Representing the January 6th Rioters
The Enduring Power of Peter Hujar’s “Portraits in Life and Death”
Should You Just Give Up?
Ryan Murphy’s Latest Era of Cynical Hits
The Gaza We Leave Behind
Victoria Tentler-Krylov’s “New Heights”
Restaurant Review: Putting the Breakfast in Breakfast Ramen
