Save this storySave this storySave this storySave this story Capitalism, as a couple of caustic observers once noted, makes everything solid melt into uncertain air, even collapsing the seasons one into the next. Under the stress of the economics of…
Save this storySave this storySave this storySave this story Alex BaraschCulture editor You’re reading the Goings On newsletter, a guide to what we’re watching, listening to, and doing this week. Sign up to receive it in your in-box. At the…
Save this storySave this storySave this storySave this story In 1959, the same year in which the term “knowledge work” was coined, a chemical engineer turned consultant named James T. McCay published “The Management of Time,” one of the first…
Standing up for the preborn doesn’t end with a march or a conference. On December 6, 2022, Isabel Vaughan-Spruce was arrested for silently praying outside an abortion clinic in the U.K. This was the first of two times she would…
Save this storySave this storySave this storySave this story On a recent evening, my children and I were watching “The Iron Giant,” the animated cult classic about a robot from outer space who, in 1957, crash-lands in the woods outside…
Save this storySave this storySave this storySave this story Iranian cinema has risen to international prominence in recent decades, largely through the meticulous realism of such directors as Abbas Kiarostami and Jafar Panahi, who probe ordinary people’s lives in passionate…
Save this storySave this storySave this storySave this story If the Oscars are meant to display the film industry’s ideal image of itself, the choice of “Killers of the Flower Moon” and “Barbie” among the year’s best movies is evidence…
Save this storySave this storySave this storySave this story It was the biggest hit of the summer. Then it was the biggest hit of the year. It was a blockbuster so gigantic—crowd-pleasing, artful, a triumph for its young director—that it…
Save this storySave this storySave this storySave this story The 2024 Oscar nominations were announced Tuesday morning, including two nods for films released by The New Yorker. Representing the magazine in the Best Documentary Short Film category will be “The…
Save this storySave this storySave this storySave this story From afar, Green Day doesn’t seem too hard to figure out—for decades, the band has been reliably churning out chunky, three-chord earworms about jerking off, being bored, growing up, getting wasted,…